Meaningfulness
News organizations frequently emphasize the importance of investigative reporting, stressing the principle that in order for a story to be “newsworthy” it must be current and it must mean something to people.
It goes without saying that responsible news gathering also results in stories that are informative, accurate, and in the best interests of the general public. And those who work in the news reporting ”business” also emphasize the importance of keen observational skills, in-depth research, and critical analysis.
But isn’t this also what travel journalists do?
Don’t we also strive to find meaning and make sense of the complex issues and cultures inherent in the destinations we visit, whether they are national, regional, or local? Do we also not serve in a problem-solving capacity in that we do our best to put the pieces of the puzzle together in such a way as to engage the hearts and minds of our readers? Are we also not “foreign correspondents” who encourage our consumers to engage in imaginative identification?
So how are the two professions similar? How are they different? In the news journalism business, reference is often made to “hard news” versus “soft news”. Are there equivalents in travel journalism?
Is travel journalism newsworthy?
I have heard it said that travel journalists should avoid contentious issues, and certainly not engage in “political” commentary. Well depending on how you define politics, this is easier said than done. Let me use Ottawa, the national capital of Canada, as a case in point.
This is a very story-rich city in which is inherent a political-historical journey of considerable importance. To truly understand Ottawa you have to examine the geopolitical context in which it evolved. And whereas the historic “issues” in what today is a quiet, unassuming national capital are profound, visitors may initially only see it as the lovely and orderly city it indeed is today. But if you delve deeper, you will find a very meaningful story with universal implications.
Incorporated in 1855, Ottawa was a remote lumber town and the by-product of colonialism. Located on the Ottawa River a “safe distance” from the Canada-United States border, the city was chosen as the capital by Queen Victoria because, as part of ”British North America”, there was always fear of invasion by our neighbours to the south. And as Canada evolved and finally became a sovereign and independent nation (considerably later than our “American” cousins), the imminent threat of cultural and economic hegemony continued to be felt.
As a nation that decided to remain loyal to “the Crown” – as opposed to engaging in a revolution, declaring its independence, and becoming a republic – as a Crown Colony – Canada made a significant collective decision to remain part of the British Empire, and later the British Commonwealth. To this day we still engage in a lot of national introspection in this regard.
And even though we share what once was called (in the days before the 9/11 attacks) “the longest undefended border in the world” with our neighbours south of the 49th parallel, we still find ourselves struggling with problematic transborder issues with them. This is what comes of “being in bed with an elephant”, as our most charismatic prime minister, Pierre Elliott Trudeau, once said to the Washington press corps.
And, although many outside of North America see little difference culturally between the two principal nations of North America, if you ignore the historic and political events that caused each to evolve quite differently – similar of course, but different nonetheless – you will have ”read” only part of the story.
The state of our craft today
In the 21st century, thanks in part to burgeoning new technologies, alternative media and alternative points of view about issues related to travel have increasingly seen the light of day. However, whereas we are no longer obliged (for commercial reasons) to just tell “good news” stories, as reponsible travel journalists and editors we still face the age-old challenge of producing coherent and literate travel stories that emphasize the qualitative features of the information as opposed to simply producing a corollary travel product that “sells” destinations.
A case in point
I became particularly aware recently of the essential “story behind the story” in Martinique.
On this beautiful and resource-rich island (resources that are both natural and cultural), I also learned that the institution of slavery is fundamental to a real understanding of the Creole culture of this French département.
Slavery was a tragic by-product of colonial empire-building; and to sustain itself the latter required exponential wealth and natural resources, such as the sugar plantations of the Caribbean. The African slaves brought to Martinique, as well as to other islands in the Caribbean, were of course considered only property and were treated as such. However, with the eventual abolition of slavery by France, a distinct and multidimensional Creole culture began to flourish and today is an important leitmotif in Martinique.
As is the case in many other post-colonial destinations, a geopolitical power shift and a renewed emphasis on the lessons of history have led to a tourism industry that is truly indigenous.
And Martinique is an important case study for anyone who has an interest in political sociology. Among other issues, this field of study focuses on the relations between state and society; and how social forces create a dynamic that defines what we often refer to simplistically as “culture”. But intrinsic to culture is the question of identity; and this is perhaps the most consciousness-raising aspect of travelling in Martinique – and writing about it.
The nature of news, culture, and storytelling
As travel journalists we are also cultural interpreters, not unlike news journalists who tell their “stories” in such a way as to inform and enlighten their readers. However, defining human culture, as I have suggested above, is as problematic or challenging as defining beauty, justice, or truth.
And yet in so many of our stories creating clarity about human culture is the essence of our message. And whereas we strive to avoid the “one size fits all” generic template of travel writing, we also are constantly challenged by the maxim that “We travel to explore the diversity of the human experience; and in so doing discover the commonality.”
All travel is a cultural experience on some level, whether it be just around the corner or far afield. And when we travel in a physical sense, we also travel in a conceptual sense. We paint portraits of human culture in all its hues and shades, and that includes the flaws. In so doing we collectively define who we are as a species.
And because it is also in our nature and our “job descriptions”, we also develop an experiential understanding of culture and how components such as belief systems, language, history, cultural objects, climate, and geography all shape our perceptions of “the other”.
As objective observers, we are often privileged to see first hand how the dynamic of culture implies power structures. And because we are in a position to constantly renew our frame of reference, we also frequently witness the juxtapostion of majority and minority worldviews.
And as journalists who make conscious and carefully considered choices as to how we will tell the story – not unlike news journalists who also build for their readers a specific frame of reference – we know (or should know) that all media is a construction, a point of view, an interpretation. I suspect that the more we examine how “the reporter” communicates what she or he has experienced (to the best of her or his ability), the better storytellers we become.
Storytelling is an ancient tradition and craft. It is also – like news – often issue-oriented, although the issues may be more universal than specific.
And as travel writers we also begin by asking fundamental questions. What do I see? What do I hear? What do I feel? What is really going on? This too is investigative journalism. As Aristotle pointed out in his fourth-century BCE treatise on the city-state, “politics” deals with the structure, organization, and administration of the state. And the interplay and interconnectedness of the state and the people is a critical question for all journalists, in either the field of news or travel. How do you separate the state from the culture? What is “the state” as opposed to the nation? Or the culture?
Since the recent FIJET Congress in Shanghai, I have had the privilege of engaging in an ongoing dialogue by email with a journalist I met in Beijing. Although for me it is somewhat “after the fact,” and yet ongoing (surely one of the key goals of travel) he has helped me fill in some of the gaps in terms of my awareness of Chinese culture. He has also helped me shed some of my ethnocentric baggage. In a number of ways he has encouraged me to heed the caveat “Judge me by my culture, not by my government.”
The comprehensive skills and challenges of travel journalists
The travel journalists I have met around the world represent one of the most eclectic and multidisciplinary groups of people you could imagine; and they come to the métier from many different backgrounds.
And when in our professional capacity as journalists we explore a destination and strive to define its cultural elements, we are required, of necessity, to play multiple roles including those of public educator, historian, geographer, sociologist, cultural anthropologist, political and social scientist, and economist – to mention just a few.
In brief, when we are really good at what we do we are indeed reporters but also interpreters. And because of the grassroots connections we are privileged to have in this industry, we tend not to lose sight of the fact that the travel and tourism industry contributes directly to the bottom line of any destination. The commercial implications of this can of course make what we do an even greater challenge and problematic in that we may feel compelled to either present a “glowing report” or to not do the story at all.
And this is where the issues of objectivity and neutrality play a role.
At one point in my career I was working with the national news team of the Canadian Broadcasting Corporation and the people who produce its flagship show The National. During a particular editorial meeting in which we were struggling to decide on the “lineup” for the project I was working on, and whether a certain troubling story had real value as a news story, or whether by emphasizing it we might risk indulging in sensationalism, one of editors spoke about the difference between being objective and being neutral.
I was rather surprised to hear him, a hard-core news journalist, say that although news journalists must strive to be neutral on the issue or issues behind the story, they could not be totally objective because they are also human beings; and thus always subject to the same emotional or affective elements of the story as the general public. And as the reporters who have “been there”, we are obliged on our return to present “a true account”, whether we are news or travel journalists.
And whereas news journalists strive to present a true account of the facts (the “who, what, where, when, and why” of the story), we travel journalists also seek to do the same, at least initially. However given the distinct nature of our medium, we often strive to give our readers, listeners, and viewers something more – our interpretation of the “sense of place” as we have experienced it. We also of course strive for accuracy but in so doing we are also in the position of internalizing in the mind’s eye of the reader a sense of authenticity.
And I believe that in this regard, we may actually lean slightly toward the medium of the novelist, as opposed to that of the news journalist, because our stories often emphasize the aesthetic elements of the destination – and the human theatre we see in it. And herein lie the fundamental elements of storytelling: character, characterization, conflict, rising and falling action, dénouement, and sometimes, a universal lesson.
Role models of eclectic journalism
In the field of human resources, the recognition and enhancement of what are referred to as “tranferrable skills” – the comprehensive skills that an individual possesses which allow her or him to work effectively in multiple fields of endeavour – has became increasingly important in the 21st century.
In today’s interconnected world, such skill sets as the all-important communications skills (verbal and written), the ability to project and predict outcomes, abstract thinking, and other related conceptual skills, are recognized as critical to the functioning of any organization that wishes to succeed in what many see as a constantly evolving “new world order”.
Such individuals tend to have a high degree of cognitive skills but at the same time are also able to express and process the affective components of “the story”. This creative “balanced brain” approach to problem-solving and task management is what allows such individuals to find their niche almost anywhere – in what is becoming in many ways a borderless world.
Jefferson Sackey, a multidisciplinary journalist
A journalist born and raised in Ghana in West Africa, Jefferson Sackey is the kind of broadcast journalist who finds multiple layers of meaning in the stories he does.
For example, his profile of former UN Secretary-General Kofi Annan (a Ghanaian himself) in which Jefferson explores the vision of this charismatic and inspiring world leader, is a tribute to the kind of transcendent ethos that Annan represents, and which sustains human civilization. At one point, Jefferson quotes Annan: ‘‘You must listen to not only what is being said, but what is not said, which is often much more important.”
And in Jefferson’s own words, he explains why leaders like Kofi Annan are visionaries.
“What puzzled me was the attention Kofi Annan gave to the various sides of the conflict even after the session closed at midnight. From the little I saw, I came to agree with the fact that no one has done more than Kofi Annan to revitalise the UN.
After taking office as the seventh Secretary-General in January 1997, he managed in a very short time to give the UN an external prestige and an internal morale the likes of which the organization had hardly seen in its over fifty-year history, with the possible exception of its very first optimistic years.
His position within the organization has no doubt benefited from his having devoted almost all his working life to the UN. Experience in a bureaucracy is not always the best springboard for action and fresh approaches to the outside world, but Annan brought about both…. Kofi Annan figured prominently in the efforts to resolve a whole series of international disputes: the repercussions of the Gulf War, the wars in the former Yugoslavia and especially in Kosovo, the status of East Timor, the war in the Congo, and the implementation of the UN resolutions concerning the Middle East and “land for peace” just to mention a few.
On the basis of renewed emphasis on the Declaration of Human Rights, Annan gave his office a more active part to play as a protector of those rights.”
As what I will refer to as a ”crossover” journalist, Jefferson tells stories, especially those with an African focus, that promote global understanding – surely a key objective of travel journalism.
To see a promotional video of Jefferson’s broadcast television show “International Assignment” click on the preceding link.
His documentary on “The Castro Years” is also indicative of the kind of “educational” backgrounder that has the ”added value” effect of encouraging participatory travel.
Julia Bayly and travel as cultural anthropology
Julia is une femme à tout faire, a newspaper journalist, a travel writer, and a dog musher!
She is also an example of a journalist who understand implicitly the diversity of the travel experience and how the latter engenders a much broader understanding of world events. She is also the kind of journalist who encourages people to “go and look”; but at the same time she personifies the principle that looking is not enough – when you travel you must also engage.
In a recent podcast I did with Julia she said the following about the increasingly proactive and enlightened traveller in today’s marketplace:
“They want to do. They want to experience. They want to meet people … to become part of that which they are looking at. At which point they become someone who is looked at both by the others who are there to look and by the people they are visiting. The basis of cultural anthropology is about participant observation … and doing minimal harm.”
To hear the complete podcast, click on the preceding link.
Ian and Tonya Fitzpatrick celebrate the responsible traveller
By way of their online radio show and website, Ian and Tonya have created a public forum in which key issues that have implications for the travel and tourism industry are explored. In their roles as travel journalists they also explore the human values inherent in a destination, as well as the enduring values in human culture itself.
As they say on their site, “Responsible travelers are conscientious and wise travelers. They understand that we all share a common humanity and seek purposeful travel opportunities that are transformative and fun. Responsible travelers enjoy authentic travel experiences and leave positive footprints by fostering global citizenship and cross-cultural understanding.”
For more information on their show and their approach to travel journalism, see Travel’n On Radio.
For additional information related to this subject, see:
“An Irish Scholar’s Challenge to Travel Writers”
“Ottawa: Grace, Dignity, and a Delightful State of Affairs”
“Multidimensional Martinique: Where Landscape Shapes Culture”
“The Redundant Search for a National Narrative.”








At 8:15 in the morning on August 6, 1945 the first atomic bomb ever used against humans — military and civilian alike — unleashed its force several hundred metres from this spot. The entire city, with the exception of this solitary structure, was levelled. The fission of uranium and plutonium generated an explosive power unlike anything experienced in wartime before. Three metres long and weighing almost 3629 kilograms, “Little Boy” was the equivalent of 13,610 tonnes of high-performance explosive. The initial shock wave of the blast provided 50 per cent of its deadly force. Detonated approximately 580 metres above the city, it crushed nearly all buildings within two kilometres of the hypocentre and generated a diabolical wind that — when it reached the surrounding mountains — was reflected, turning its fury on the city a second time. Flames whipped up by the wind rushed through the city. Later, a black rain would fall on those running about searching for an escape route from the destruction. The intense heat rays that seared Hiroshima made up another 35 per cent of the explosion; the temperature at the centre exceeded a million degrees Celsius. In addition an initial release of lethal radiation made up five per cent of the event while residual radiation of 10 per cent would cause widespread cancers, deformities, and death for years to come. On that day 78,150 people died in Hiroshima. By the following December 140 000 people were dead as a direct result of the bomb. The cumulative deaths accounted for by the bomb is estimated to be 200,000. For all intents and purposes, in a few seconds Hiroshima ceased to exist. And the nuclear age had begun.
As I approach the Children’s Peace Monument, I see the first group of the morning. An elementary school class has gathered in front of the memorial to Sasaki Sadako-san. Their brightly-coloured umbrellas, white shoes and socks, and navy-blue uniforms are visual relief in the increasing grayness of the day. Their teacher is telling them once again a story that millions of children in Japan and around the world know. Sadako-san was only two years old when she was exposed to radiation from the bomb. By age 12, she had developed acute leukemia. Following the Japanese custom of folding paper cranes — senbazuru, symbols of good fortune and longevity — Sadako-san persisted daily in folding cranes, hoping to reach 1000 when a person’s dream is believed to come true. But she died after nine months of struggle. Her friends, however, established the Hiroshima Children’s Association For Peace which has raised funds world-wide and made the paper crane a symbol of the anti-nuclear campaign. Paper cranes in the thousands are sent to Hiroshima every year, especially on May 5th, Children’s Day. Standing quietly on the glistening paving stones before the monument, these children embody the wish fulfilment of a young victim of the bomb.
At the centre of the park, the Cenotaph for the Atomic Bomb Victims is a visual and symbolic focal point. The memorial, designed by architect Kenzo Tange, is built in the style of the A-frame thatch-roofed Japanese house that protected Japan’s earliest inhabitants from the elements. In the stone coffin beneath are books in which are inscribed the names of all those who perished as a result of the bomb. They are now sheltered from the rain in perpetuity. Looking through the arch-like cenotaph, I see the Flame of Peace that burns above a reflecting pond. The flame will be extinguished only when all atomic weapons are banished from the planet. The view is also like looking back in time. In the distance, perfectly aligned with the Cenotaph, is the Dome. As I contemplate this poetic alignment, a young man approaches the coffin, bows, claps his hands twice in Shinto fashion to summon the spirits, and then bows again. I turn and make my way to the last — and in many ways the most disturbing — stop on my visit to the park.
As I exit the main exhibition hall, the floor-to-ceiling windows are on my left. On my right is a display of artwork by survivors of the bomb. Each of these simple drawings and water colours tells the same story in muted tones of horror. I am drawn to one in particular. It is a drawing in which naked bodies have fallen in grotesque attitudes of death. In the background the orange-red conflagration continues. In confusion, blackened figures rush about in panic. Half-hidden in the flames is the Dome. In the lower right-hand corner one naked figure attempts to rise. On the left a standing figure attempts to cover his nakedness.
































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When attempting to define the idiosyncratic and rather curious human behaviourism known as “travel” ─ in other words, trying to understand the reasons why our species is also known for its peregrinations ─ I often make reference to the following:
“We travel to explore the diversity of human society; and in so doing discover the commonality.”
From the earliest migrations of human beings along trade routes, over pilgrimage trails, or through forced migration as economic or political refugees, there has always been intrinsic to that “travel” a search for ideals. And from what I have deduced from observing travellers (and travel journalists), this penchant for us to move about the planet is also a search for a sense of self ─ both of the individual and of the collective self.
Alternative travel
And in recent years the contemporary world of travel and tourism has shown a growth in such “idealistic” travel. In many ways it has become a priority. With the diversification and transformation that we have witnessed in the industry, especially with the advent of the so-called “information age,” there is no shortage of opportunity nor motivation for people to travel. Travel habits have certainly changed; they have become far more consumer-oriented and consumer-defined, but the desire to travel has never been stronger. In many respects, travel has become an activity of self-determination.
Recently I have been in contact with a young Scottish man who is, in my opinion, the 21st-century version of the explorer or idealistic traveller. He goes only by his first name (Dan) and communicates his love for travel and his interpretations of human society through an online blog simply called Dan’s Adventure. And in order to fulfill his need to travel, he uses the (relatively) new world of electronic communication.
Dan’s next stop is Africa.
The cultural products of tourism
Increasingly the cultural “products” that satisfy this kind of need on the part of the media-wise and engaged traveller in the 21st century are not “mainstream” but alternative travel experiences; journeys in which the traveller has the opportunity (and motivation) to explore a destination and a culture in a much more direct way; on a much more grassroots level.
All travel is a journey on so many levels: physical, emotional, aesthetic, philosophical and, above all, conceptual. There are some travel experiences ─ and herein lies the primary skill of the engaged traveller ─ that are not just one-way streets but reciprocal experiences, and an opportunity for intercultural dialogue.
This kind of travel experience is organic; it is travel in which the new “sense of place” that our psyches absorb is the result of so many factors: new geographical and topographical realities; the ebb and flow of history; language elements; in brief, landscape shaping culture.
But that landscape is also the realm of ideas and ideals.
Landscapes can challenge the traveller
Anyone can, from time to time, be challenged by landscapes that are both physical and cultural. Although we are a highly adaptive species, our need to acclimatize to our surroundings is not always easy. Perhaps that is another reason many of us like to move on.
I was reminded recently of how travel can be an ambivalent experience when I read Barack Obama’s early autobiography Dreams From My Father.
In the book he describes a time in his life when, living in New York City, he began to feel confused, disturbed, and even disenchanted with the environment in which he had chosen to live. Making reference to a physical environment in which he was feeling more and more alienated, he says,
“The beauty, the filth, the noise, and the excess, all of it dazzled my senses; there seemed no constraints on originality of lifestyles or the manufacture of desire [my emphasis] …. Beneath the hum, the motion, I was seeing the steady fracturing of the world taking place…. I might wander through Harlem ─ to play on [basketball] courts I’d once read about or hear Jesse Jackson make a speech on 125th [Street]; or, on a rare Sunday morning, to sit in the back pews of Abyssinian Baptist Church, lifted by the gospel’s sweet sorrowful song ─ and catch a fleeting glimpse of that thing which I sought. But I had no guide that might show me how to join this troubled world…”
In many ways, his journey had only just begun.
A case study of idealistic and results-oriented travel
Recently, I had the opportunity of re-visiting the Yucatan Peninsula in Mexico and having some direct interaction with the Mayan people in their own unique and distinct environment. I also got to meet another young man who, for me, has come to represent the idealism and search for universal meaning through travel that I have referred to above.
His name is Jesús Mesa del Castillo Bermejo. As you may already have suspected, he himself is not Mexican, but Spanish; a young journalist from Barcelona. You may immediately wonder, as did I, what he was doing in Mexico. His story and his achievements are impressive.
Jesús came to Mexico to work with the Mayan people themselves and to set up a non-governmental organization called Kanché, a not-for-profit organization that works with the Mayan people themselves who have established their own tourism industry in this part of Mexico called La Puerta Verde (Green Road). Together, Kanché and La Puerta Verde offer travellers unique indigenous travel experiences and interaction with the Mayan people. Along the way travellers discover the centuries-old wisdom of this ancient civilization, especially in terms of its knowledge base, and its sustainable land use, above all the water resources beneath the surface.
The organization is called Kanché because the Mayan word refers to an apparatus called a germinator which is raised off the ground. In the germinator the Maya plant seeds so that the sprouts will be protected from animals and insects.
The NGO that Jesús founded is also a germinator ─ of ideas.
Redevelopment and respect
Throughout the world there is a renewed recognition of the wisdom and pragmatism of aboriginal peoples. There is also a renewed emphasis on the art and artistry inherent in their way of life; and in their contributions to human civilization.
As many nations begin to refocus and re-orient their societies, especially in terms of the challenges inherent in their physical environments, and the growing urbanization of human communities everywhere, governments and non-governmental organizations are rediscovering and reaffirming the interdependent relationships to land and sea that indigenous peoples have always had.
Today the Maya are experiencing a renewed sense of themselves; once again their language is being taught in school and no longer are young people hesitant to use it. A renewed awareness of the critical dynamics of eldership and oral history are also now increasingly emphasized.
And this I suspect is what has brought Jesús to live among the Maya.
To hear my conversation with Jesús, click on the following link:
Kanché and Puerta Verde: A Role Model for Alternative, Grassroots, and Indigenous Travel
Other role models and examples of alternative tourism
(a) The Siksika Nation of Alberta: Self-determination, Cultural Affirmation, Land, and Time
A visit to the Siksika Nation (the Blackfoot of Alberta) is a case study of an Aboriginal sense of place that differs in many ways from both the preconceived notions that many of the Europeans held before their arrival, and conceptually different from the European relationship to the land. An encounter (however brief) with the Siksika Nation (and the Blackfoot Crossing National Historic Site) south-east of Calgary, will allow you a glimpse and a new appreciation of this distinct sense of place in part because the physical landscape will have a powerful sensory effect on you. And when you delve into the history and culture of the Siksika, you will discover that the sense of place is inextricably linked to a sense of time.
(b) The Kilim Nature Park and a Langkawi, Malyasia mangrove tour
The Kilim Nature Park on the Island of Langkawi in Malaysia is one of the world’s most important mangrove swamps. Whereas the mountains of the interior of Penang Island were the “lungs” of that Malaysian island, the 100-square kilometre Kilim mangrove swamps are the filtration plant for Langkawi ─ and beyond. That is how a mangrove swamp works. The Kilim Mangrove Swamps are home to once-in-a-lifetime flora and fauna experiences: Brown Eagles, Mud Skippers (which are still emerging from the primal sludge), Multicoloured Tree Crabs, and my favourite, the Monitor Lizard.
The Kilim Nature Park is also now part of a UNESCO Geopark.
(c) A Great Yukon River Journey with Chris Vetterlein on Lake Lebarge in Canada’s far northwest
Like all great rivers of the world, The Yukon has witnessed many comings and goings. Some anthropologists believe that the Yukon Valley was the main immigration route for North America’s first human inhabitants; those who came across the frozen land bridge, called Beringia between Siberia and Alaska. I should add that some First Nations peoples dispute that theory, preferring their own traditional beliefs that their ancestors originated in North America. But like all great rivers on the planet, The Yukon has nourished human culture in its many hues and shades.
(d) The Maori and the Treaty of Waitangi Grounds
At Waitangi in the Bay of Islands, New Zealand (as is the case in much of New Zealand), you can get an appreciation of how Maori culture has played a very prominent role in New Zealand. Especially important is the Treaty of Waitangi which itself established an international precedent. The Treaty made New Zealand a part of the British Empire, guaranteed Maori rights to their land and, at the same time, gave them the rights of British citizens. Still debated to some extent, the Maori consider the treaty a sacred pact; and in New Zealand, Waitangi Day is a public holiday and a significant commemoration.
(e) The Hands of Juan Quezada
In many ways, the road to Mata Ortiz in the northern Mexican state of Chihuahua is a metaphoric journey to a place in which are inherent artistic integrity and the kind of altruism that is essential to integrated communities. For the outsider, this tiny, dusty pueblo in the northwestern corner of Mexico’s largest state seems the least likely place to encounter a world-class artist. Appearances are deceiving however because it is the area’s isolation and desert environs that in fact led to the renaissance of a distinct centuries-old art form. And here I met Juan Quezada, a living national treasure in Mexico.
(f) The Slovenian Tourist Farms
The principles, practices, and values inherent in the Slovenia Tourist Farms organization are not in any way old-fashioned, archaic, nor spent energy. Quite the opposite; they are as relevant today as they have always been. That is the nature of universality. As we discovered during the FIJET Congress in Slovenia, this grassroots tourism business model emphasizes natural resources. And people are also one of those natural resources.
(g) The Engaging World of Voluntourism and Joyce Major
When her children had finished college, Joyce Major set off to rediscover the world. As she herself says, “This passion for life propelled me to fulfill my dream of a year-long trip around the world; but with a twist. I knew that I wanted more than simply being a tourist looking at the world from arms-length. But how could I accomplish my goal to gain a deeper understanding of foreign cultures and benefit local people and the environment at the same time? Voluntourism seemed the perfect solution, combining a sense of adventure with active participation on local projects. It also meant that though traveling solo I would always be a part of a team and meeting new people at the same time.” The end result was her self-published book Smiling at the World.
(h) Along the Templar Trail: Brandon Wilson’s Journey of Peace
In many ways, Brandon Wilson is the ultimate traveller. His inspirational and arduous treks embody why we human beings are a species constantly in search of ideals. I highly recommend his book Along the Templar Trail. Also, watch for his soon-to-be-released new book Over the Top & Back Again: Hiking the Alps.
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The photographs in this article were all taken in Mexico’s Yucatan Peninsula, among the Maya. They are the copyright of Bob Fisher.
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Posted in Commentaries on Travel, Cultural anthropological Travel, Global Issues, Indigenous Culture | Tags: alternative tourism, Barack Obama, collective self, consumerism, eldership, germinator, grassroots, heritage, history, human society, idealism, intercultural dialogue, Kanché, landscape, Maya, migration, redevelopment, sense of place, trade routes, travel, Yucatan